Category Archives: Blog

Why Universities Need Scholarly Communications Experts

Posted December 20, 2016

Pamela Samuelson, President, Authors Alliance

Note: This article originally appeared in the Chronicle of Higher Education on December 11, 2016, but is available to subscribers only. The full text is reprinted below.

Universities have long felt victimized by proprietary publishers who charge their libraries large sums of money for the journals, books, and other materials in which faculty research is regularly published. Why, university administrators often ask themselves, do we have to pay twice for this work: once when we pay faculty members’ salaries, and then again when we pay for the journals and other publications in which their research appears?

In the last two decades, many administrators have come to realize that advances in communications technologies present opportunities for their institutions and faculty members to achieve their missions of producing and disseminating knowledge more effectively than ever before. Indeed, scholars can now reach and have an impact on readers all over the world, not merely on a small and closed community of fellow academics.

In an effort to take advantage of the opportunities of the digital age and reverse or at least mitigate the more troubling trends in scholarly publishing, some leading research universities, including the University of California at Berkeley and at Davis, Duke and Harvard Universities, and the University of Toronto, have hired scholarly communications experts. While these professionals’ assistance in shaping institutional information policies has been invaluable, even more significant is the role that they can play in achieving bottom-up changes in the culture of scholarly communications.

They can help faculty members, students, and other researchers become more knowledgeable about managing their copyrights and publishing contracts, understanding what they can and can’t do with the work of others, and complying with federal or grant mandates about enabling public access to research and data.

These specialists are especially valuable in creating lines of communication between university librarians, who are responsible for acquiring and managing large collections of scholarly materials that their communities need to access, and the faculty, students, and researchers who both use and produce scholarship. Those users sometimes struggle over copyright, contract, and other policy issues when deciding what they can and should do with scholarly materials produced by others, and when determining how best to disseminate their own work.

If faculty members, in particular, get smarter about copyright and publishing contracts, universities may be able to make faculty research more widely available. Either by negotiations or by university policy, professors may be able to retain sufficient rights to make and authorize nonprofit educational uses of their works. This could enable them to post it on course websites, put it in digital libraries, and grant permission to colleagues to do the same without having to get publisher permissions or pay fees. Such dissemination serves universities’ teaching and research missions, and the interests of scholars who write to have an impact on their students, their fields of study, and the larger society.

Scholarly communications officers and directors are generally located in research library offices, but their responsibilities include answering questions and offering guidance for the entire campus community. Here are just some additional services they can provide:

  • Review publishing contracts and make suggestions about terms for which faculty members should try to negotiate (e.g., a rights reversion clause if the work sells below a certain level per year).
  • Translate contract terms that faculty members don’t understand and explain why publishers might ask for them.
  • Provide advice about open access options and help faculty to decide whether those options might better achieve faculty goals for dissemination of their work.
  • Help authors comply with grant obligations, especially now when government agencies and other funders often require public access to research conducted with their grants.
  • Talk with professors about fair use issues. If a historian, for instance, wants to quote from a subject’s letters or use photographs from the 1950s, a scholarly communications officer can point her to resources about copyright law’s fair use doctrine. This helps faculty to make more informed judgments about whether their desired uses are consistent with copyright norms as well as norms of their fields.
  • Make suggestions about how an author can clear necessary rights if the intended uses go beyond what fair use would reasonably allow.
  • Help authors recapture, through rights reversions, faculty whose books may have been out of print or otherwise commercially inactive for decades. Authors Alliance, of which I am president, has published a guide to rights reversions and templates for letters to send to publishers to regain control of copyrights, but most faculty members don’t know about these resources. Scholarly communications experts do.
  • Advise graduate students about whether to agree to embargos of their dissertations and how to think carefully about the terms of any embargo. Today’s scholarly work that is “born digital” has the potential to reach a global audience immediately, yet graduate students face familiar insecurities about publication and job prospects. The scholarly communications office can help them learn at the very outset of their scholarly careers about how to establish their academic reputations and maximize the impact of their scholarship.

Designation of a scholarly communications officer is not a silver bullet that will reverse the rising costs of scholarly journals or shrinking budgets for monographs and other resources. Nor can it ensure that scholarly communications will reach its full digital age potential. But experts in the field can build valuable connections between the researchers who consume and produce scholarly works and the librarians who are responsible for acquiring these works and making them accessible. And their universities are investing in a better future for scholarly communications.

Authors Alliance Comment to U.S. Copyright Office Supports Print-Disabled Readers

Posted November 9, 2016

As part of our ongoing advocacy in the space, Authors Alliance has again responded to the U.S. Copyright Office’s call for further comments regarding anti-circumvention provisions in Section 1201 of the Digital Millennium Copyright Act. We believe in making reasonable exemptions from the law that protects digital “locks” that keep content inaccessible. In the past, we have successfully advocated for for such an exemption supporting the creative work of multimedia ebook authors, and earlier this year, we submitted comments in support of streamlining the law’s rulemaking process.

Our most recent comment is in favor of a permanent exemption that would improve access to copyrighted works by people who are blind, visually impaired, and print disabled. There is broad consensus that such an exemption is beneficial and necessary; in fact, it has been granted in every rulemaking cycle since 2003. We fully support a permanent exemption that would help make our members’ works accessible to these audiences. Read the full text of the comment here.

Announcing Brianna Schofield as our next executive director

Posted November 4, 2016

We are delighted to share the news that Brianna Schofield will be joining Authors Alliance as our new Executive Director, effective February 1, 2017. “Brianna Schofield is ideally positioned to provide both broad vision and individual assistance to authors who need to manage their rights and reach their readers in the digital age,” says Authors Alliance co-founder Molly Van Houweling. Schofield is a copyright attorney licensed to practice in California, and has extensive experience in working on our core issues thanks to her leadership at the Samuelson Law, Technology, and Public Policy Clinic at UC Berkeley Law. She is co-author of our handbooks on rights reversion and open access, and is a knowledgeable and passionate advocate for authors’ rights, fair use, and other key issues of importance to our community. In addition to her legal and policy expertise, she brings a wealth of business management experience to her new role.

“Over the past two years, I have had the great privilege of partnering with Authors Alliance to develop resources that advance the mission of the organization,” Schofield says. “In working on these projects, I have been inspired by the devotion of Authors Alliance members and leadership to the shared goal of promoting widespread access to knowledge and creativity. As the new Executive Director, I am incredibly excited to expand upon this work and to continue to support authors who want to share their works broadly.”

The Authors Alliance board and core staff are excited to welcome Schofield on board and to introduce her to our community. “Having worked with Ms. Schofield on our rights reversion and open access guides, I know she shares the values and understands the mission of Authors Alliance,” says Authors Alliance president Pamela Samuelson. “With her experience as a professional photographer, as well as her legal training and expertise in copyright law, she is an exceptionally well qualified person to succeed our current (wonderful) Executive Director Michael Wolfe. We are delighted that she will soon come on board as our ED.”

Please join us in welcoming Brianna to her new position. As our organization continues to grow in scope and reach, we are thrilled to have such a talented candidate to lead Authors Alliance into 2017 and beyond.

New Survey Informs Our Guide to Fair Use for Nonfiction Authors

Posted November 3, 2016

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CC0 image by andibreit

In partnership with organizations that support nonfiction authors, Authors Alliance is developing a Fair Use Best Practices Guide for Nonfiction Authors to help nonfiction authors navigate fair use. To make this the most effective and useful resource possible, we’re requesting your help via a short survey.

Nonfiction authors often incorporate preexisting material in their works (e.g., quotations, images, figures, lyrics, and sound recordings). Sometimes including preexisting material is permitted under an exception to copyright protection called “fair use,” but other times such uses require obtaining permission or a license from the copyright holder. It can be difficult for nonfiction authors or publishers to know when to rely on fair use and when to seek permission or a license.

Our forthcoming Fair Use Best Practices Guide for Nonfiction Authors will identify the most common situations that nonfiction authors encounter when incorporating preexisting materials into their works. It will also provide authors and publishers with guidelines that reflect the community’s understanding about acceptable fair use practices when using these materials. We need your help to make the resource useful to the nonfiction author community!

Please take ten to fifteen minutes and respond to our survey by November 18, 2016. We greatly appreciate your input on this important issue. Your responses will help to inform this guide and build a useful resource for you and your colleagues.

Rightsback.org Termination of Transfer Tool

Posted October 31, 2016

In October of 2016, we launched a new online tool at rightsback.org, made with our allies at Creative Commons and designed to help authors navigate the “termination of transfer” provisions of U.S. copyright law.

Complementing our efforts around rights reversions, the area of the law our tool helps clarify allows authors (or, in some cases, their family members) to regain rights to creative works signed away many years ago. Though these termination rights are an extremely powerful boon for authors and creators, exercising them can be daunting. The law is complex and difficult to navigate, requiring attention to detail and careful timing.

The tool provides basic information about how the eligibility and timing of a right based on user input, along with suggestions on next steps that a creator may wish to take in securing rights. To learn more, view our demo video, featuring Professor Sidonie Smith of the University of Michigan that goes through the tool step by step.

As always, you can contact us directly with any questions or suggestions. We are excited to share this  resource with you, and look forward to your comments.

Open Access Resource Roundup

Posted October 28, 2016

screen-shot-2016-10-28-at-12-47-20-pmpublic domain image from the Library of Congress

As Open Access Week comes to a close, we’d like to share a list of resources that you may find helpful in learning about OA and putting it into practice. Whether you are new to open access or just looking for more text, film, image, and audio sources to increase your collection of OA content, this list is a great starting point.

  • The Authors Alliance Open Access Portal: Our one-stop-shop for all things OA, including our primer on Understanding Open Access
  • The Directory of Open Access Journals (DOAJ): The comprehensive online repository of OA journals from around the world
  • OA aficionados may already be familiar with the Internet Archive, but it’s worth revisiting to jump into all the new content that’s made available every day—including the Authors Alliance collection of full-text books. And now there’s even a beta version of full-text search at the Archive, making the collections even more user-friendly.
  • The digital collections at the Library of Congress: A treasure trove of public domain materials chronicling American culture and history. They’re an excellent source of images (including the one above, from 1911).
  • Luminos, the UC Press’ new model for creating OA monographs (full text books available)
  • Open Access by Peter Suber: A concise introduction to OA by a pioneering and influential scholar—available in full in the Internet Archive under a Creative Commons license
  • UC Berkeley Library’s Open Access Defined: A handy definition of green and gold OA, plus links to OA journals
  • UPenn Libraries’ extensive guide to finding (and correctly using) OA and public domain images from museum collections and online repositories, including a tutorial on fair use.

These are just a small sample of the OA riches available online, so if you know of a great website we’ve overlooked, contact us and we’ll add it to our resource page!

Brush Up on Your Open Access Knowledge With Our OA Handbook

Posted October 27, 2016

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Just in time for Open Access Week, we’re highlighting our guidebook, Understanding Open Access: When, Why, & How To Make Your Work Openly Accessible. This is the second volume in our series of educational handbooks, following on the success of Understanding Rights Reversion. Our goal is to encourage our members to consider open access publishing by addressing common questions and concerns and by providing real-life strategies and tools that authors can use to work with publishers, institutions, and funders to make their works more widely accessible to all. Here’s a short excerpt from Chapter 1 to get you started.


Are you considering making your work openly accessible?

Are you required to make your work openly accessible by an institutional or funding mandate?

If you answered “yes” to either of these questions—or just want to learn more about open access—then read on! Understanding Open Access is for authors of all backgrounds, fields, and disciplines, from the sciences to the humanities. Because the open access ecosystem in academia is particularly complex, this guide is largely geared to the needs of authors working for academic institutions or under funding mandates. However, many chapters are suitable for authors who write other in contexts, and we encourage all authors interested in open access to read those sections relevant to their needs.

This guide will help you determine whether open access is right for you and your work and, if so, how to make your work openly accessible. This primer on open access explains what “open access” means, addresses common concerns and misconceptions you may have about open access, and provides you with practical steps to take if you wish to make your work openly accessible.

For example, this guide will help you:

  • Learn more about open access and related options;
  • Comply with an open access policy from an employer or funding agency;
  • Select the terms on which you would like to make a work openly accessible;
  • Publish a work with an open access publisher;
  • Make a work openly accessible on a personal or group website;
  • Deposit a work in an open access repository;
  • Negotiate with a conventional publisher to make a work openly accessible;
  • And much more.

This guide is the product of extensive interviews with authors, publishers, and institutional representatives who shared their perspectives on open access options in today’s publishing environment. The information, strategies, and examples included in this guide share the collective wisdom of our interviewees, members, and other experts.


If you have questions or comments about open access, or wish to share your own experiences with open access publishing, get in touch and let us know!

Authors Alliance Partners With the Internet Archive to Make Books Available

Posted October 26, 2016

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Since the release of our guide to Understanding Rights Reversion in 2015, we have featured a number of “Rights Reversion Success Stories”—books that have been given a new life thanks to their authors’ efforts to regain publication rights and share their work widely.  Many of our members’ titles are already discoverable through the HathiTrust digital library, and we are now partnering with San Francisco-based Internet Archive to make public domain and Creative Commons-licensed works available in full on our new Authors Alliance Collection.

If you’re interested in making your own works more available, see our Resources page for information about rights reversion and open access. We also encourage you try out the beta of our brand-new Termination of Transfers engine—a step-by-step tool developed in partnership with Creative Commons that can help with regaining rights. Internet Archive has also created a handy DIY Guide to Sharing Your Book, with a list of handy links.

And if you have already regained rights to your previously published book(s) and would like to feature them in the Internet Archive, contact us! We can help our members sort out the details, including the scanning and ingest of pre-digital works.

We’re thrilled to be partnering with the Internet Archive on this initiative. Contact us to get started, and help us build the Authors Alliance collection page in the Internet Archive!

This Open Access Week, learn about regaining rights with our new tool

Posted October 25, 2016

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Just in time for Open Access Week, we are pleased to announce the launch of a brand-new online tool made with our allies at Creative Commons and designed to help authors navigate the “termination of transfer” provisions of U.S. copyright law. The theme of this year’s Open Access Week is “Open in Action” and our new tool helps creators take actionable steps to regain rights and make their work more accessible.

Complementing our efforts around rights reversions, the area of the law our tool helps clarify allows authors (or, in some cases, their family members) to regain rights to creative works signed away many years ago. Though these termination rights are an extremely powerful boon for authors and creators, exercising them can be daunting. The law is complex and difficult to navigate, requiring attention to detail and careful timing.

That is why we’ve partnered with Creative Commons to build an online tool to help clarify the law’s terms and make its intricate timing requirements easier to follow. Through a series of prompts, users enter information about a work, and the tool provides basic information about how the eligibility and timing of a right, along with suggestions on next steps that a creator may wish to take in securing rights.

Want to see it in action? Check out the demo video we’ve made, featuring Professor Sidonie Smith of the University of Michigan (and a member of our advisory board) that goes through the tool step by step.

Want to try it out? The new Termination of Transfer tool is currently in beta, and still needs your review and feedback. We encourage authors and creators to give it a try, and hope you’ll share your feedback via the public comments page. And, as always, you can contact us directly with any questions or suggestions. We are excited to share this new resource with you, and look forward to your comments.

Save the Date! “Publishing Your Dissertation” Event on October 25 at UC Berkeley

Posted October 3, 2016

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Authors Alliance and the University of California are teaming up to present a workshop especially for graduate students on October 25. It’s one of many events taking place at UC Berkeley during Open Access Week. If you are a doctoral student (or hope to be one soon), you won’t want to miss “Publishing Your Dissertation:  Maximizing Your Scholarly Impact through Open Access Publishing, and How to Publish Your First Book.”

The days of submitting a bound hard-copy dissertation (only to have it languish unread on a shelf or on microfilm) are long gone. Doctoral students are now confronted with an array of digital publication, data sharing, and dissemination options. While this presents a wealth of advantages and opportunities for early-career scholars, it also raises many questions about how to navigate the many options available.

An expert panel will address how you can shape what happens after you submit your dissertation, including:

  • How can you start getting cited by others, and boost your scholarly profile?
  • How can you publish and license your dissertation to expand your professional network and academic impact?
  • What are the implications of publishing your dissertation and subsequent “First Book” online?
  • How does publishing your dissertation online impact getting a first book contract?
  • What are the trends in Open Access publishing of first books, and how should you publish yours?

Our panelists are:

Rachael Samberg, the UC Berkeley Library’s Scholarly Communication Officer, will moderate.

For more information and to register, visit the event page.

We hope to see you there!