Category Archives: Blog

Why I Joined: Paul Courant

Posted November 14, 2014

Authors Alliance is always seeking new members to join its community. Advisory Board member Paul Courant explains below why he became a part of the Authors Alliance.

Photo courtesy the Ford School of Public Policy, the University of Michigan

I joined the Authors Alliance because it has the promise of giving voice to the interests of writers and readers of academic literature, who are best served by an environment that makes it easy to find and use works that have little commercial value. (Works that have substantial commercial value are always easy to find, because someone is getting paid to make them available.) Much scholarly literature, current and past, is of little commercial value, but the ability to find and combine insights and results from the corpus of millions of such works is at the heart of the expansion of knowledge in the arts, humanities and sciences. I have worked on behalf of scholarly literature as a faculty member, as a dean and provost, as a publisher, and as a librarian. I have published dozens of academic papers that are available to students and faculty at universities that have good libraries, and that are very hard for anyone else to find. I am hopeful that the Authors Alliance will helps scholars, publishers and libraries to develop a scholarly ecosystem that will make these kinds of works easy to find and use, to the benefit of individuals and society at large. Academic authors also have special interest in the long-term preservation of their published work, and I am hopeful that the Authors Alliance will be effective in articulating that interest and in helping authors to be secure in the knowledge that the work that they do today can continue to be used years and decades hence.

Recap: Authors Alliance panel discussion at Harvard

Posted November 4, 2014


Last Thursday, Authors Alliance traveled to Harvard to present a panel discussion titled “Authorship in a Digital World: How to Make It Thrive.” The panel was co-sponsored by the Berkman Center for Internet and Society and the Harvard Library Office for Scholarly Communication, and was composed of a mix of writers, publishers, scholars, and attorneys interacting in a way that moderator and Authors Alliance Advisory Board member Jonathan Zittrain likened to a conversation at dinner, but with the panelists “only at one side of the table and with no food.”

All told there were eight panelists, each with a different perspective on how the landscape for creating and disseminating one’s work is changing. They were:

  • Rachel Cohen, a Cambridge-based author and creative writing professor at Sarah Lawrence College;
  • Robert Darnton, Carl H. Pforzheimer University Professor and University Librarian at Harvard University;
  • Ellen Faran, director of MIT Press;
  • Mark Fischer, a copyright lawyer at Duane Morris LLP;
  • Katie Hafner, a journalist, memoirist, and nonfiction writer;
  • Alison Mudditt, director of UC Press;
  • Sophia Roosth, a Harvard historian of science; and
  • Pamela Samuelson, Authors Alliance co-founder and law professor at U.C. Berkeley.

Before getting underway, Katie Hafner—a journalist, nonfiction writer, and a member of our Advisory Board—started things off by telling the story of her book A Romance on Three Legs, which had gone out of print. Its continued digital availability meant her publisher was under no obligation to return the rights, but Hafner felt strongly that being in print was important to reaching her readers. In her presentation, Hafner discussed how she managed to negotiate with her publisher to resolve the issue. Her experience is now being used to assist Authors Alliance’s current efforts to create a guide for authors interested in rights reversions.

Robert Darnton, also of our Advisory Board, picked up on the same theme of rights and availability, but with concern for books that, unlike Hafner’s, are no longer commercially viable. “Once the commercial life of your book is exhausted and it’s no longer selling, what else do you want?,” said Darnton. “You want readers. And that means you don’t want it to sit on a remote shelf in some library where a handful of people will read it, but put it online. We know that’s a great way to spread knowledge.” Complementing Hafner’s story, Darnton illustrated this point by explaining how he had worked with Harvard University Press to secure the right to make two of his earliest books available on an open access basis. Those titles will soon be made available under Creative Commons licenses through the efforts of Authors Alliance and allied organizations.

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Making copyright work for authors

Posted November 3, 2014
Image adapted from a CC-BY licensed photo by David Kindler.

Image adapted from a CC-BY licensed photo by David Kindler.

Authors Alliance Co-Founder Molly Van Houweling

On Oct. 10 I traveled to Columbia Law School to attend and speak at a symposium hosted by the Kernochan Center for Law, Media, and the Arts entitled “Creation is Not Its Own Reward: Making Copyright Work for Authors and Performers.” It was a fascinating day featuring perspectives from creators in a variety of fields—including drama, non-fiction authorship, photography, song-writing, graphic art, and even video game design. Video from the event has now been posted and the proceedings will be published in an upcoming issue of the Columbia Journal of Law & the Arts.

I spoke on a panel entitled “Academic Perspectives.” This topic had multiple meanings for me. I am a legal academic with a scholarly interest in the relationship between copyright law and creativity. So I have an “academic perspective” on the creative environment in general. But I also have an individual creator’s perspective as the author of academic articles on my scholarly topic (and of course as a founder of Authors Alliance). In my remarks I emphasized the legal and practical obstacles that academic authors often face when they want to ensure that their books and articles are accessible to readers even after those works have outlived what in many cases is a fleeting commercial life.

I explained that academic authors sometimes transfer their copyrights or grant exclusive licenses to publishers without much forethought. Years later they may find that they want to revive out-of-print books, write new editions, anthologize their own works, or simply post them on the Internet so they can be accessible to readers around the world. But these authors no longer have the right to do what they want with their own works without permission from their publishers. Renegotiation may be theoretically possible but practically difficult–especially for absent-minded professors who may have trouble even finding their original contracts (to say nothing of the sometimes difficult task of figuring out who owns rights that may have been transferred from the original publisher to someone else).

Academic authors are not alone in facing this type of dilemma. Over the course of the day, other creators described a wide variety of individual and industry practices regarding copyright, including many that contribute to problems for authors who want to reuse their own work. Most interesting of all, Pulitzer Prize winning playwright Douglas Wright described retaining and managing the copyrights in his stage plays but not in his movie screenplays. In one case he worked on a screenplay adaptation of a stage play he had written. When he later revived the play he did not include new-and-improved material he had developed for the screenplay, because that revision of his own work was a work-for-hire that he did not own. Wright expressed a strong preference for retaining his copyrights when possible and thus serving as “the CEO of my own imagination.”

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Announcing our Open Access FAQ

Posted October 20, 2014

It’s now Open Access Week, an annual event that celebrates and promotes open access to scholarship and research. Open access is consonant with the Authors Alliance mission of representing and enabling authors who write to be read, and we are pleased to join in this year’s festivities.

To begin the week, we’ve prepared an FAQ on Open Access that explains a few of the ins and outs of open access and the options available to authors who would like to make their work openly available. We’ll continue to update the FAQ as time goes on, and we’re happy to consider member questions on open access emailed to info@authorsalliance.org.

Read the FAQ here.

Upcoming Authors Alliance Event on October 30 at Harvard—Authorship in a Digital World: How to Make It Thrive

Posted September 22, 2014

Authors Alliance is coming to Cambridge, Massachusetts to host a panel discussion at Harvard University with our co-sponsors at the Harvard Office for Scholarly Communication and the Berkman Center for Internet and Society. The panel is free and open to the public. Join us!

Poster made using a photo by GrindtXX from Wikimedia Commons, repurposed and used here under a CC BY-SA 3.0 license

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UC Press Pioneers the Scholarly Monograph’s Open Access Future

Posted September 8, 2014

By Authors Alliance co-founder Tom Leonard, University Librarian at the University of California, Berkeley.

Image derived from one by Mike Fernwood, used under a CC BY-SA 2.0 license.

Last Spring the view out the windows of the University of California Press was a glass-skinned energy lab dedicated to saving the planet. This fall, the Press’s move from Berkeley to Oakland completed, editors look out on a glass-skinned cathedral that is dedicated to saving souls. The Press now wants to use both technology and exaltation to save the book.

Not all books, but simply the good ones that scholars write to be read. These need saving. Today, most original scholarship, well written and edited, can expect book sales of only several hundred copies. A few score research libraries buy these books; they are not easily found by anyone. Their authors would like to see their contributions to knowledge discovered, explored, and discussed, but all too often traditional publication models don’t serve these ends.

Indeed, if they are not available as e-books that easily pop into view, they join the ranks of the great unread. We used to use that term for volumes that had slept quietly in the stacks for decades because they were off the reading lists of the academy. Shorter press runs and high prices needed to cover fixed costs commit more books to this fate than ever before.

Most university presses face this challenge. National organizations such as the Association of American Universities and the Association of Research Libraries have sketched ways to save the long arguments that are uniquely supported by books. Mellon and other foundations have worked with the Association of American University Presses to find solutions. As a veteran of many big think meetings on this problem, I have found the good will a sign of the health of higher education. But what we have not had until now is a first mover with a sustainable business plan. UC Press is now taking the lead (a judgment that I do not believe is biased by my service on their Board).

Alison Mudditt and her deputy director Rebekah Darksmith have stepped over the morass of platforms and ways to “capture reader eyeballs” for press output that has slowed other publishers. UC Press will find high-tech partners to produce e-books. The Press, however, will control the selection and editing, maintaining its stringent standards and removing any impression that the author’s vanity is the true driver. Books will be “free at launch” as an e-book. The open access (OA) book will display on the platform of the reader’s choosing. These titles will be marketed, supported for awards submission, and available in a print on demand (paper) copy at an attractive price.

UC Press figures that books it publishes in traditional editions cost $34,000 to produce, warehousing and distributing paper being a significant part. This will continue to be the path for many Press titles. The new OA approach for perhaps 15 titles in 2015, looks to be a $14,000 investment per title. That sum can be captured from the subsidies that are now going to produce these volumes with a paper edition only, the costs that Libraries would willingly contribute because they are now pointing readers to resources that are free and not always making purchases, and from the revenues that will flow from print on demand revenue. As is the case today, the author too will be tapped and so her dean or department will be asked to support the publication. UC Press will be building a fund to help authors, particularly important for independent scholars.

This will take some getting used to. But long arguments in the social sciences and humanities do not have bright futures if left to the business logic of scholarly book publishing. These books will not make the leap to an e-book reading culture. Today, after much hard work, most university presses gain no more than an eighth of their revenue from selling e-books. The market is not really telling them to find an alternative to high-priced traditional volumes with very low press runs; even though this approach disfavors the accessibility scholarly authors need in order to be read. There may have been gains in watchful waiting, but surely we have now banked all of these dividends. Today academic publishers need a first mover, as much to help these disciplines as to help themselves. A print-first/only model will, the Press has concluded, risk leaving these fields “out of the vibrant world of digital scholarship and debate.” Indeed, exaltation about scholarship is as important as the bottom line.

Authors Alliance Members Lead Push toward Open and Accessible Legal Education

Posted September 2, 2014

Textbooks are essential instructional tools but they’re not without problems. Most familiar to students is the problem of cost: textbook prices have been significantly outstripping inflation for some time, rising 82% between 2003 and 2013 and giving rise to charts like the one below. But there’s also the issue of tailoring. There might not be a textbook that’s a perfect match for a given instructor’s needs, but the traditional model requires students to purchase material their instructors may have no interest in teaching.

Authors from a variety of fields are making strides to bring accessible and open educational resources that provide educators with choice regarding the price and contents of course materials. Legal education, which relies in large part on public domain texts like cases and statutes, is particularly poised for change. Authors Alliance members, committed to authorship in the public interest, are leading the charge.

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Authors Alliance Welcomes Its New Executive Director!

Posted September 1, 2014

The Authors Alliance board of directors is pleased to announce the hiring of Michael Wolfe as its Executive Director. Michael will be occupying his new role at Authors Alliance effective today, September first.

Michael has been an involved volunteer with Authors Alliance since January, working on its projects and policy statements, and playing a pivotal role in readying the organization for launch. His background is in copyright and intellectual property scholarship, and he comes to the Alliance from his work as a Copyright Research Fellow at the Berkeley Center for Law and Technology, where he will continue his research on public interest authorship on a part-time basis. Michael has an undergraduate degree from Harvard, a law degree from Duke, and has completed postgraduate coursework at the University of California, Berkeley, School of Law.

“Mike is both a visionary and a problem-solver,” said Authors Alliance co-founder Molly Van Houweling, “ready to roll up his sleeves to help authors address the practical problems that keep them from realizing their full potential to reach readers and preserve their intellectual legacies.”

As Executive Director, Michael will be responsible for managing Authors Alliance’s day-to-day operations, growing the organization into a leader on authors’ issues, developing a sustainable economic model for this growth, and working on the ground to demystify copyright and contracts so that authors can achieve their dissemination goals for their work. “I couldn’t be more excited to join Authors Alliance,” Michael said. “It’s a critical time for public interest authors and I firmly believe that the Alliance and its members can be the difference we need.”

“Michael Wolfe is an excellent choice as Executive Director. His love of books, and respect for their authors, is deep,” said Authors Alliance founding member James Boyle. “He’s worked on open access issues since his days as an undergraduate at Harvard. He has a passion for access to knowledge and a desire to do the difficult work of making that access easier. He is an immensely talented intellectual property lawyer. And he is a pragmatist; someone who is fair and open and honest. I support the Authors Alliance because I am an author and my interests and concerns were not always being represented by those who purported to speak for all authors. Michael is an excellent choice to add my voice—our voice—to the national conversation.”

STM’s “Open Access” Licenses: Extend, Embrace, and Extinguish

Posted August 18, 2014

Guest-blogged by Authors Alliance founding member Ariel Katz, Associate Professor of Law and Innovation Chair in Electronic Commerce at the University of Toronto.

Authors Alliance recently joined a coalition of research, science, and education organizations that called on the Association of Scientific, Technical and Medical Publishers (STM) to withdraw a set of New Model Licenses for purportedly “open access” publishing.

Beyond the flaws in those Model Licenses, the STM move raises some potentially serious antitrust issues. In other words, by adopting these set of model licenses and recommending that their members adopt them, STM and its member publishers might have broken the law. This is problematic for authors who write to be read, and who deserve a competitive publishing environment that allows them to find publishers who share their commitment to openness.

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