Superman’s Copyright Saga
The creators of Superman sold their rights for just $130 in 1938, igniting decades of lawsuits over ownership and fair treatment. Now, the battle continues as Shuster’s heir claims to hold certain foreign rights…
The creators of Superman sold their rights for just $130 in 1938, igniting decades of lawsuits over ownership and fair treatment. Now, the battle continues as Shuster’s heir claims to hold certain foreign rights…
Chinese courts are recognizing AI-generated works as copyrightable, and these rulings could potentially impact those in the US under certain circumstances.
On March 3, librarians, authors, publishers, and technologists gathered at Northeastern University Library in Boston to contribute to a startup
Authors Alliance and SPARC have released the second of four planned white papers addressing legal issues surrounding open access to
Authors Alliance has been closely monitoring the impact of Digital Millennium Copyright Act (DMCA) Section 1202, and we have been watching the development in UK copyright law closely. Here are some updates.
In December 2024 we announced a new project to develop a public interest AI training corpus focused on books. Over
Audible has a history of relying on ambiguous contractual terms to reduce author payouts. Despite Audible’s track record, the courts were unsympathetic to Teri Woods’ grievances.
A little over a week ago, the National Institutes of Health issued a new guidance policy on indirect costs in
Facts of the Case On February 11, Third Circuit Judge Stephanos Bibas (sitting by designation for the U.S. District Court
The case Sedlik v. Drachenberg, currently pending before the 9th Circuit, presents the 9th Circuit a first opportunity to interpret the fair use right in the wake of the Warhol decision. Anticipating the far-reaching consequences for artists and authors, Authors Alliance filed an amicus brief in support of KVD. In our brief, we explained that (1) a distinct purpose is required for the first factor to tilt in favor of fair use, (2) a successful social media presence does not automatically render all postings “commercial,” and (3) concrete evidence is needed to prove the existence of a licensing market or the likelihood of it developing.